Collections
Bottoms
CROCHET & KNITWEAR
Crafted in quiet devotion by local artisans and nuns, our crochet and knitwear pieces turn ancestral technique into soft, sculptural statements.
View collection
Dresses
HANDLOOM
Woven slowly on wooden looms using 100% rain-fed Kenyan cotton & radically alternative textiles such as pineapple & banana. Our signature handloom fabrics both honour tradition & reimagines the future of fashion.
View collection
Jackets & Kimonos
K.A.L.I.
- natural fibres dyes & materials - handmade in harmony with nature - limited edition release -
View collection
K.A.L.I. COORDS & SETS
- natural fibres dyes & materials - handmade in harmony with nature - limited edition release -
View collection
K.A.L.I. print
- hundreds of hours - black tea - handmade - zero electricity -
The K.A.L.I. print is our latest textile creative developed through intergenerational exchange between botanical dye master artisan Amos Kimani, artist Betty Cheruiyot with LilaBare.
Unprocessed cotton is pleated and hand stitched to create resist points, then transformed using steel wool soaked in vinegar, sunlight and residue from Kenyan black tea. The surface develops slowly through oxidation, producing an irregular black and rust pattern that recalls aged batik, weathered earth and inherited cloth. Every length is fabricated and dyed by hand, so variations occur in each piece, making it unique to you.
View collection
Kolam Collection
Kolam is a modern day reflection on the similarities in adornment between ancient East African & Indian cultures. Transcending through eras & continents, both regions adorn the body for the purpose of making oneself auspicious, attract good fortune and connect to one’s soul.
Tapping into the rich heritage of Kenyan craft, the Kolam collection is the result of artisanal innovation and deep respect for local craftsmanship. Alongside our artisan partners across the country, we present a new perspective on handweaving, block printing, crochet & Maasai beadwork. The functional embellishments are set on the canvas of local & rain-fed cotton, featuring the LilaBare signature textile… our unique weave dyed in botanicals & agricultural waste. It is as durable as it is buttery soft, ultra-breathable & drapes fluidly.
The Kolam collection utilizes modern technology to create 3D renders of our designs, bringing these ancient crafting techniques into today's world. Working within the digital space of fashion design has allowed us to minimize our in-house waste, which is always repurposed into small accessories & packaging. Producing our clothing with the world’s only carbon neutral garment manufacturer, Wildlife Works, the Kolam collection uses fashion design to take a holistic & timeless perspective on creating positive impact on our planet.
View collection
NATURAL DYES
Every hue tells a story. Dyed by hand using turmeric, Nairobi red soil, and botanical pigments—our garments are colored by nature and change gracefully with time.
View collection
RESORTWEAR
Made for golden light and slow days, our resortwear blends soulfully crafted textiles with silhouettes that breathe. From airy dresses to sun-drenched layers, each piece is designed for ease, movement, and timeless elegance—wherever you wander.
View collection
RTS
View collection
SAṂSĀRA
‘Saṃsāra’ (v., Sanskrit) in Indian philosophy, is crucial in the journey of metempsychosis, or reincarnation. The cyclical nature of Saṃsāra recognizes that death & birth are necessary as we strive to release from the bonds of our own past deeds: our karma. Saṃsāra enables the death of the past, the freeing of bondage & the inevitable rebirth into the future.
“This feels like a rebirth of LilaBare to me, as we present a collection that represents the meeting point between my aesthetic & my ideal fabrication of the pieces, particularly in relation to te label’s sustainability & ethics principles.”
– Ria Ana Sejpal, Creative Director
The collection heavily features LilaBare’s signature textile, which is of local origin, traceable, naturally grown, botanically dyed and handloomed in Kenya. The collection pays homage to the first time these techniques were developed, dating back to the Indus Valley Civilization in the Bronze Age, which also is the inspirational foundation upon which the collection is designed.
During this time period, the sari had not yet been created. The number of cloths that one wore denoted the style; “ekavastra” or one piece, “dvivastra” two piece, and so on. In consideration of this, the primitive approach to the collection strips down all frivolity and emphasizes on nomadic, old-world utilitarianism. The silhouettes are cut to move in harmony with the natural elements that come into contact with each piece, as an extension of the body.
Adornment feels necessary with this approach, and much like Hindu deities, the practice of adornment or “shringaar” is to make the body, the temple of the soul, auspicious. We use adornment to protect, to express, to connect with our inner spirit, “aatma”, as one of the highest forms of celebration of life. The choice of heavy, raw materials is to provide protection to the more fragile parts of the body; forearms, ankles, the third-eye, and highlight its strengths too. They take shape in rewoven, landfill-destined denim; post-production excess pull-up leather; shells and upcycled hand-cast brass plated in gold.
Saṃsāra is the reinvention & revival of ancient textile traditions as well as our local handcraft. It is an adaption of an era whose stories have been lost in time, yet is still reawakened into the present.
View collection
SUMMER SOCIAL CLUB
fluid silhouettes and lightweight tailoring & subtle embellishment. Made for warm breezes & sunny skies.
Tops & Kaftans
View collection
Workshops
Join us around Nairobi for the next few weeks, as we welcome you to a series of workshops & interactive experiences that explore our world.
View collection